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Titre
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En
Islamic Theatre: Traditions, Forms, Perspectives, and Global Influence
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Fr
Théâtre Islamique : Traditions, Formes, Perspectives Et Influence Mondiale
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Sr
Islamsko pozorište — tradicije, forme, perspektive i globalni uticaj
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Type
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Academic article
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Sujet
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En
Theatre and performance studies ; Identity construction ; Heritage and patrimony
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Fr
Approches d'études théâtrales et performatives ; Construction identitaire ; Question d'héritages et de patrimoines
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Auteur.e.s
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Idrizi, Besfort
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Résumé
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En
This paper will delve into the rich and diverse traditions of Islamic performative arts, exploring their historical, cultural, and societal dimensions. It will examine how poetry, deeply embedded in Arab life before and after Islam, served as a powerful medium of artistic expression, influencing public opinion and cultural norms. The paper will also explore how poetry evolved during the Abbasid era to become central to diplomacy and courtly etiquette. Additionally, it will analyze performative elements present in early Islamic practices, such as the spear play performed in the Prophet Muhammad's mosque, which highlights the integration of entertainment and communal traditions within Islamic contexts. The study will further examine notable forms of Islamic performative arts, including the Ta'ziyeh, a Persian passion play which blends theatrical storytelling with religious devotion. It will investigate the Karagöz shadow theatre, developed in the Ottoman Empire, which adapted to Islamic artistic sensibilities while maintaining its humor and vibrancy. Similarly, it will explore the Ortaoyunu, a "play in the middle," offering a dynamic and interactive theatrical experience, and Meddah, a one-person storytelling act that preserved oral traditions through clever impersonations and moral tales. The paper will also discuss Morocco's Halqa, a cornerstone of its cultural heritage, which combines storytelling, music, and communal interaction in iconic public spaces. The study will address views in opposition to theatre and the arts within Islamic traditions. Critics have often argued that art imitates God's creative act, which is considered a divine prerogative, and that humankind should not attempt to replicate creation. Theatre, in particular, will be explored as a form often criticized for deception and lying, which conflicts with the Islamic emphasis on truthfulness. However, the paper will highlight examples from the Quran and early Islamic practices that challenge these later developed norms, revealing a more nuanced relationship between Islamic teachings and artistic expression. Ultimately, this paper will investigate the norms and frameworks governing art and theatre within Islamic traditions, demonstrating how these have evolved over time. While acknowledging some restrictions, the study will reveal how Islamic performative arts have flourished, blending creativity with adherence to religious principles. It will also explore how specific examples, forms, and practices of Islamic theatrical traditions have pioneered or directly influenced the works of European theatre figures like Bertolt Brecht and Peter Brook. By doing so, the paper will underscore the adaptability and richness of Islamic contributions to global cultural heritage, offering timeless lessons on the power of storytelling, communal engagement, and cultural preservation.
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Fr
Cet article explore les traditions des arts de la scène islamiques dans leurs dimensions historiques, culturelles et sociétales. Il examine des formes notables — ta'zieh, Karagöz, Ortaoyunu, Meddah, Halqa — et analyse les tensions entre les restrictions religieuses à l'égard du théâtre et la vitalité créatrice des pratiques islamiques. L'article démontre comment les traditions théâtrales islamiques ont prospéré en mêlant créativité et principes religieux, et ont directement influencé des figures du théâtre européen comme Bertolt Brecht et Peter Brook.
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Edition
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Zbornik Radova Akademije Umetnosti
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Date
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2025
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Langue
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Sr
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Citation bibliographique
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Idrizi, Besfort. «Islamic Theatre: Traditions, Forms, Perspectives, and Global Influence.» Zbornik Radova Akademije Umetnosti, no. 13, 2025, pp. 161–175.