-
Titre
-
En
Ta'ziyeh, The Art of the Iranian Passion Play
-
Ta’zieh : L’Art du drame de la passion iranien
-
Type
-
Academic article
-
Auteur.e.s
-
Mokhtabad-Amrei, Seyed Mostafa
-
Résumé
-
En
The term “Ta’ziyeh” refers to an Iranian dramatic genre which might be compared to the Western Passion Play and is the only indigenous drama of the entire Islamic world. This ritual drama has both an Islamic and a Persian heritage, the central theme of which is the tragic and heroic martyrdom of Imam Husayn, the grandson of the Prophet Mohammed and the third Imam of Shi’ites, in the desert of Karbala in 680 A.D. Shiites believe that Imam Husayn sacrificed his life to be their Intercessor on the Day of Judgment.
The history of Ta’ziyeh did not begin with the events at Karbala; rather, it dates back to pre-Islamic culture as well as the dramatic expressions of both the Memorial of Zarer, a religious epic from the Sassanid era (226-652 A.D.), and the Tragedy of Siyavush, a work from ancient Iran, which precedes the Ta’ziyeh play by 1,200 years.
The tradition continued from an early processional form to the Magtal-Khani (a recital of martyrdom stories), until it took a dramatic shape. Further, both the playwrights and the structure of the Takiyeh performance building, its performance site, contributed to the evolution of Ta’ziyeh. In this paper, the emphasis is on demonstrating the character of Ta’ziyeh, its foundation, and the development of its various elements. It also attempts to reveal, from an objective stance, its value to a people who embrace it as a kind of ritual, both a holy and national art form. Ta’ziyeh is a kind of ritual drama which has fascinated some of the world’s most famous theatre historians, critics, and performers, who view it as some elements of the postmodern theatre.
-
Fr
Le terme « ta'ziyeh » désigne un genre dramatique iranien comparable au drame de la Passion occidental et constitue la seule forme dramatique autochtone de l'ensemble du monde islamique. Ce drame rituel possède un double héritage islamique et persan, dont le thème central est le martyre tragique et héroïque de l'imam Husayn dans le désert de Karbala en 680 apr. J.-C. L'histoire du ta'ziyeh ne commence pas avec les événements de Karbala ; elle remonte à la culture préislamique ainsi qu'aux expressions dramatiques du Mémorial de Zarer, une épopée religieuse de l'ère sassanide (226–652 apr. J.-C.), et de la Tragédie de Siyavush, une œuvre de l'Iran antique qui précède le ta'ziyeh de 1 200 ans. La tradition s'est poursuivie d'une forme processionnelle primitive au Magtal-Khani (récitation de récits de martyre), jusqu'à prendre une forme dramatique. Les dramaturges et la structure du Takiyeh ont contribué à l'évolution du ta'ziyeh.
-
Edition
-
The International Journal of Humanities
-
Tarbiat Modares University
-
Date
-
2007
-
Langue
-
En
-
Citation bibliographique
-
Mokhtabad-Amrei, Seyed Mostafa, «Ta'ziyeh, The Art of the Iranian Passion Play», The International Journal of Humanities, vol. 14, no. 1, 2007, p. 89–98.