"Salman-i Farsi's Conversion," Folio from a Hamla-yi Haidari (Attack of the Lion)
Accès aux documents
- Titre
- En "Salman-i Farsi's Conversion," Folio from a Hamla-yi Haidari (Attack of the Lion)
- Fr « La conversion de Salman-i Farsi », folio d'un Hamla-yi Haidari (L'Attaque du Lion)
- Type
- Folio / Illustrated manuscript (Codex)
- Créateur/ Créatrice
- Unknown
- Identifiant
- 1997.293
- Format
- Ink, opaque watercolor, silver, and gold on paper
- Dimension
- H. 33.1 cm × W. 19 cm (overall); Mat: H. 50 cm × W. 34.8 cm
- Lieu de découverte
- Iran (attributed)
- Résumé
- En Though illustrated manuscripts on religious subjects had long existed in Iran, during the Qajar period there was a marked surge in manuscript production and large-scale religious paintings. This leaf from an unidentified manuscript is one example of the nineteenth-century flowering in devotional literature. It depicts the story of Salman, the Zoroastrian who, unconvinced by his own faith, converted first to Christianity and then to Islam. The scene depicted here shows his meeting with Muhammad after his wanderings had taken him to the city of Yathrib (Medina). Salman, standing to the Prophet's left, appears in the reception room of the house where Muhammad is staying, along with 'Ali (the figure kneeling on Muhammad's right, carrying the Dhu'l Fiqar) and other companions. Above, angels rain down heavenly fire on the gathering. It is leaf from an illustrated Shi'i epic celebrating Ali's life, his heroic deeds and campaigns.
- Date
- 19th century (Qajar period)
- Contribution
- Minassian, Adrienne
- Source
- Bequest of Adrienne Minassian, 1994
- Edition
- The Metropolitan Museum of Art, New York (Department of Islamic Art)
- Référence
- The Met
- Langue
- Fa
- Droits
- © The Metropolitan Museum of Art.
- All rights reserved
- Licence
- All rights reserved. Permission required.
- Collections
- A la recherche du ta'zieh